Finally available on all download and streaming platform: my score to Aqsa Altaf’s beautifully reflective film The Long Farewell.
With no dialog and minimal sound effects, the film relies on music to create a profoundly poetic atmosphere. Written primarily for synthesizers with piano solos, the score sometimes blends with the director’s bigger-than-life shots of the luxurious surrounding landscape (thick forests, tall trees, wide rivers, big gray skies…). At other times, it reaches for the ethereal by opening up the emotional range to depict what is not directly seen on screen—the deep, everlasting bond between the two main characters.
The music was written freely, without a constant tempo or a bar structure to box the music in. Harmonies start softly and grow slowly, and eventually disappear back in the ether. Various textures and instruments are layered in over time to lead the story to its climatic point, and ultimately pull back to leave the audience reflecting about childhood, friendship, and the loss of innocence.