Yuanfen Now Available On All Major Online Platforms by Jerome Leroy

My score to Amanda Sparso’s animated short ‘Yuanfen’ is now available on all download and streaming platforms.

Yuanfen, produced at the School of Visual Arts in New York, is a heartwarming tale of adoption as seen through a child’s eyes. Inspired by Amanda’s personal story, Yuanfen takes us through the beautiful and emotional journey of a young infant who will travel thousands of miles from her birthplace in China to her adoptive parents in the United States.

The film metaphorically depicts the caregiver who accompanies the baby girl along her journey as a comforting panda bear, musically represented by a solo cello performed by Michelle Packman. The baby girl’s journey is at first underscored by a dizi (traditional Chinese flute), which, as she eventually makes her way to the United States, turns into a concert flute; both instruments were performed by Gina Luciani. To provide additional warmth and musical support, the score also features harp solos performed by Lara Somogyi, along with piano solos and other various synthetic elements.

You can read more about the score here, and listen to the album on iTunes MusicSpotifyGoogle PlayAmazon MusicSoundCloud, or YouTube.

The Housemaid Now Available As Physical Release by Jerome Leroy

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My score to The Housemaid is now available as a CD release courtesy of Spanish label Rosetta Soundtrack! As a long-time soundtrack aficionado and CD collector, I’m always happy to see film music released on physical format, especially in this challenging market. And it’s even more exciting when it's your own!

Head over to Rosetta’s product page to read more about the score and order your copy.

New Complog Article: "Media Composers: How To Organize (And Back Up) Your Data" by Jerome Leroy


I just posted a new technical article on my Medium Complog discussing data backup for media composers.

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If you’ve been using a computer for some time, it’s quite likely that you’ve heard over and over again that you should back up your data. But what does that mean exactly for the media creator? As working professionals dealing with huge amounts of data, where that data is backed up and how quickly we can expect to retrieve it can be quite a complex issue and it is essential to plan well.

In this article, I describe backup best-practices and go over case studies, based on more than a decade of experience dealing with large set of data. You can read the article here. I hope you find it interesting and I’m looking forward to your comments.

Aqsa Altaf's short "The Long Farewell" gets online release by Jerome Leroy

I'm very, very proud to have scored Aqsa Altaf’s beautiful, serene, magical short film The Long Farewell, which she shot in Peru under the mentorship of Werner Herzog. It's a really special story of childhood, innocence, and growing up, told in a very unique way. The film is now available on Vimeo, and you can watch it below.

Festival News: Killers Within gathers multiple selections and wins award by Jerome Leroy

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Paul Bushe and Brian O’Neill’s fantasy horror action film Killers Within, which I scored last year, has been quietly gathering multiple festival selections over the past few months, including:

Congrats to the team! Keep 'em coming! :)

To learn about upcoming festival selections, you can check out and follow the film’s facebook page.

"The Abandoned Estate" nominated for a Hollywood Music In Media Award by Jerome Leroy

“The Abandoned Estate”, the first track from my album Impressions commissioned by Audio Network, is nominated for a 2018 Hollywood Music in Media Award! This is the second award nomination for the album, which was recently nominated for a Jerry Goldsmith Award. I'm very honored and grateful for the recognition the album has received, and I can’t thank Audio Network enough for their trust and guidance in having me create these pieces of music. The winners will be announced live on November 14th, 2018 at a ceremony in Hollywood, California.

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Soundtrack to Qi - The Documentary now available! by Jerome Leroy

I’m very excited to report that my soundtrack to Qi - The Documentary is now available on all major digital stores and streaming services!

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From the liner notes:

“Dennis Ho’s 2018 documentary Qi demystifies the Chinese concept of energy known as qi (chi) by identifying its various properties and their empowering effects on human physiology. … As he was developing this film, Ho reconnected with composer Jerome Leroy, who had previously composed the music for the director’s debut, the award-winning fantasy/drama, A Better Place. “I think composers and I bond very well, maybe more so compared to other filmmakers because I have a degree in music composition and theory; so communicating musical ideas is certainly less challenging,” Ho explained. “On Qi, as with all collaborations, we had a number of back-and-forth discussions and, in the end, Jerome’s brilliance pulled together the perfect blend of eastern and western modalities to appeal to a global audience.”

To accommodate this musical balance, it was decided that the score should feature an instrumentation that was reminiscent of Asian cultures, yet could stand on its own as an accompaniment to a universal spiritual journey. … To that effect, Leroy chose to substitute traditional Chinese instruments with Western ones: instead of an erhu, he used a solo cello (performed by Tina Guo), and instead of bamboo and wood flutes, he used a set of concert flutes (bass, alto, and regular flutes, all performed by Gina Luciani). The mixture of Chinese musical flavors speaking through orchestral instruments familiar to western audiences supports Ho’s concept of portraying qi’s Chinese origins through a universal lens.

“An important element in the philosophy surrounding the concept of qi is the idea of a constant energy loop,” said Leroy. “I decided to represent this with various orchestral motors on three acoustic and processed pianos (which I performed myself), on harp (performed by Lara Somogyi), and other various percussive instruments.” Another element the composer wanted to underscore was qi’s raw potential for power, strength, and depth — when it is properly harnessed. For that, he used thunderous world percussions such as frame drums, dolhs, toms, taikos, and various bass drums. “Obviously,” Leroy explained, “the goal was for all these separate concepts (energy, power, healing, strength, etc.) to blend so they would sound and feel musically balanced and interconnected.”

Both Ho and Leroy wanted the score to offer a kind of spiritual journey in tune with the film’s portrayal of qi’s life-changing potential. “To musically connote this impression,” said Leroy, “the score ranges in style from simple, repetitive, quasi-minimalistic pieces to epic moments featuring solos, percussion, and synth beds, and various metallic percussive touches.” In so doing, the score tracks the varied benefits and real-life implications of learning to harness qi."

You can listen to the album now on iTunes,  Music, Spotify, Google Play, Amazon Music, and YouTube.

New Complog Article: "My Creative Process: Writing a Library Track" by Jerome Leroy

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I recently posted on my Medium Complog an in-depth look at my process when writing Library tracks and how the album “Impressions” was created.

This is the first article in a series called “My Creative Process” in which, through real-world examples from past projects, I will try to illustrate how my music comes to life. By focusing on the various types of requirements I get from my clients, I hope I can give a holistic overview of my composition and production process, thereby answering questions I often get from students, filmmakers, and other composers alike.

You can read the article here. I hope you find it interesting and I’m looking forward to your comments.